®2024
®2024
®2024
Commercial
Reel
Hey! I'm Erin,
Hey! I'm Erin,
Cinematographer by day,
Cinematographer by day,
Director at Vantage Studios.ai by Night
Director at Vantage Studios.ai by Night
lights and lenses or a pen and prompts.
lights and lenses or a pen and prompts.
I see my work the same.
I see my work the same.
I build stories and visual worlds.
I build stories and visual worlds.
Its what I love.
Its what I love.
scroll to learn more about my work and process below
Commercial
Reel
Hey! I'm Erin
Cinematographer by day
Director
at Vantage Studios.ai by Night
lights and lenses
or a pen and prompts.
I see my work the same.
I build stories and visual worlds.
Its what i love.
scroll to learn more about my work and process below
Cinematography is the art of motion pictures, and for a long time the tools where only physical.
Cinematography is the art of motion pictures, and for a long time the tools where only physical.
With Ai and new technology,
With Ai and new technology,
Filmmaking is changing Fast,
consistent creative problem solving,
Wether we like it or not.
And the ability to think about light and motion
With all this in mind, I've been working at creating new workflows that merge the traditional role of cinematography
to create cinematic visuals in a variety of mediums for diverse needs.
in terms of their impact and emotional effect.
In Development, Pre Production, Onset, Post and Beyond
under stress.
The role of Cinematography is evolving.
Lets talk and find out how my work can work for your workflow.
Thats the job where i excel.
Cinematography is the art of motion pictures,
and for a long time the tools where mostly physical.
With Ai and new technology, Filmmaking is changing Fast,
Wether we like it or not.
With all this in mind, I've been working at creating new workflows that merge the traditional
role of cinematography
to create cinematic visuals
in a variety of mediums for
diverse needs.
In Development,
Pre Production,
Onset, Post
and Beyond
The role of
Cinematography
is evolving.
Lets talk and find out
how my work
can work for your workflow.
keep scrolling to learn more about my work and process below
I’m drawn to camera techniques that immerses you in a character’s experience
Confetti - Short Film
or that arrest's your attention in its visual choreography
Highlights from my Narrative Work
I’m drawn to camera techniques that immerses you in a character’s experience or that arrest's your attention in its visual choreography
Confetti - Short Film
EDEN- TV series
Zombie - Short Film
Either Side of Midnight - Feature
Saung - Short Film
Almost Invisible - Music Video
Confetti - Short Film
EDEN- TV series
Zombie - Short Film
Either Side of Midnight - Feature
Saung - Short Film
Almost Invisible - Music Video
Highlights from my Commercial Work
I shoot for dynamic and playful, with a punch.
Inspirational everyday - TVC
Commercial Showreel
Queer Summer - Branded content
Beyond Yoga - TVC
Purina - TVC
Hearts of Magic- TVC
Highlights from my Commercial Work
I shoot for dynamic and playful, with a punch.
Inspirational everyday - TVC
Commercial Showreel
Queer Summer - Branded content
Beyond Yoga - TVC
Purina - TVC
Hearts of Magic- TVC
In my Commercial work
I shoot for dynamic and playful,
With a punch.
Beyond Yoga - TVC
In my Documentary work I love shooting quirky and adventurous stories.
That make me see the world in a different light.
Highlights from my Documentary Work
I love capturing stories that make me see the world in a different light.
Lifeline - Mini Doc
Fractured Nights- Branded Doc
Belonging - Branded Doc
Project Spark - Branded Doc
Whats App- Branded Doc
Belonging- Branded Doc
A few notable achievements in my career are feature docs:
Not Going Quietly (SXSW Audience Award, Tribeca),
and Minted (Tribeca, PBS, Netflix),
and the NY Emmy-awarded
Lifeline – A Doctor’s Commitment to 9/11 First Responders.
A few notable achievements in my career are feature docs:
Not Going Quietly (SXSW Audience Award, Tribeca),
and Minted (Tribeca, PBS, Netflix),
and the NY Emmy-awarded Lifeline – A Doctor’s Commitment to 9/11 First Responders.
A few notable achievements in my career are feature docs:
Not Going Quietly (SXSW Audience Award, Tribeca),
and Minted (Tribeca, PBS, Netflix),
and the NY Emmy-awarded
Lifeline – A Doctor’s Commitment to 9/11 First Responders.
A few notable achievements in my career are feature docs:
Not Going Quietly (SXSW Audience Award, Tribeca),
and Minted (Tribeca, PBS, Netflix),
and the NY Emmy-awarded
Lifeline – A Doctor’s Commitment to 9/11 First Responders.
A few notable achievements in my career are feature docs:
Not Going Quietly (SXSW Audience Award, Tribeca),
and Minted (Tribeca, PBS, Netflix),
and the NY Emmy-awarded Lifeline – A Doctor’s Commitment to 9/11 First Responders.
A few notable achievements in my career are feature docs:
Not Going Quietly (SXSW Audience Award, Tribeca),
and Minted (Tribeca, PBS, Netflix),
and the NY Emmy-awarded
Lifeline – A Doctor’s Commitment to 9/11 First Responders.
I’m a Cinematographer and Director Based in NYC and Sydney Australia
I create cinematic films, sometimes with a camera and sometimes with code.
I began my career on sets like Top of the Lake, Tracks, and HBO’s unfinished Lewis & Clark, assisting visionary filmmakers like Jane Campion, John Curran, and Gerard Lee, while learning from cinematographers I admire like Mandy Walker, Rob Hardy, and Adam Arkapaw.
Preparation is my super power and alongside my cinematography work,
I direct and build visuals with VantageStudios.ai an experimental production studio blending traditional filmmaking with emerging AI tools.
We use new technologies to expand the way we imagine, design, and deliver cinematic, emotional stories.
I began my career on sets like Top of the Lake, Tracks, and HBO’s unfinished Lewis & Clark, assisting visionary filmmakers like Jane Campion, John Curran, and Gerard Lee, while learning from cinematographers I admire like Mandy Walker, Rob Hardy, and Adam Arkapaw.
But my love for story started long before that.
My father grew up in Australia, far from his family, a Vietnamese refugee, he carried the weight of loss and the gift of imagination. At night, he told us stories, of distant galaxies, forgotten lands, and strange, beautiful worlds that lived far beyond our own.
My mother, a Waldorf Steiner teacher, taught us through story, woven from myth, legend, and memory. She showed us that stories weren’t just things to learn, but ways to live, maps for meaning, tools for becoming.
I grew up wanting to tell stories that were visually powerful, meaningful, and full of surprise and wonder, just like the ones I was raised on.
That instinct still drives everything I do.
I create cinematic films, sometimes with a camera and sometimes with code.
My father grew up in Australia, far from his family, a Vietnamese refugee, he carried the weight of loss and the gift of imagination. At night, he told us stories, of distant galaxies, forgotten lands, and strange, beautiful worlds that lived far beyond our own.
My mother, a Waldorf Steiner teacher, taught us through story, woven from myth, legend, and memory. She showed us that stories weren’t just things to learn, but ways to live, maps for meaning, tools for becoming.
Preparation is my super power and alongside my cinematography work,
I direct and build visuals with VantageStudios.ai an experimental production studio blending traditional filmmaking with emerging AI tools.
We use new technologies to expand the way we imagine, design, and deliver cinematic, emotional stories.
I’m a Cinematographer and Director Based in NYC and Sydney Australia
I create cinematic films, sometimes with a camera and sometimes with code.
I began my career on sets like Top of the Lake, Tracks, and HBO’s unfinished Lewis & Clark, assisting visionary filmmakers like Jane Campion, John Curran, and Gerard Lee, while learning from cinematographers I admire like Mandy Walker, Rob Hardy, and Adam Arkapaw.
Preparation is my super power and alongside my cinematography work,
I direct and build visuals with VantageStudios.ai an experimental production studio blending traditional filmmaking with emerging AI tools.
We use new technologies to expand the way we imagine, design, and deliver cinematic, emotional stories.
I began my career on sets like Top of the Lake, Tracks, and HBO’s unfinished Lewis & Clark, assisting visionary filmmakers like Jane Campion, John Curran, and Gerard Lee, while learning from cinematographers I admire like Mandy Walker, Rob Hardy, and Adam Arkapaw.
But my love for story started long before that.
I’m a Cinematographer and Director. Based in NYC and Sydney Australia
I grew up wanting to tell stories that were visually powerful, meaningful, and full of surprise and wonder, just like the ones I was raised on.
That instinct still drives everything I do.
I create cinematic films, sometimes with a camera and sometimes with code.
My father grew up in Australia, far from his family, a Vietnamese refugee, he carried the weight of loss and the gift of imagination. At night, he told us stories, of distant galaxies, forgotten lands, and strange, beautiful worlds that lived far beyond our own.
My mother, a Waldorf Steiner teacher, taught us through story, woven from myth, legend, and memory. She showed us that stories weren’t just things to learn, but ways to live, maps for meaning, tools for becoming.
Preparation is my super power and alongside my cinematography work,
I direct and build visuals with VantageStudios.ai an experimental production studio blending traditional filmmaking with emerging AI tools.
We use new technologies to expand the way we imagine, design, and deliver cinematic, emotional stories.
I’m a Cinematographer and Director Based in NYC and Sydney Australia
I create cinematic films, sometimes with a camera and sometimes with code.
I began my career on sets like Top of the Lake, Tracks, and HBO’s unfinished Lewis & Clark, assisting visionary filmmakers like Jane Campion, John Curran, and Gerard Lee, while learning from cinematographers I admire like Mandy Walker, Rob Hardy, and Adam Arkapaw.
Preparation is my super power and alongside my cinematography work,
I direct and build visuals with VantageStudios.ai an experimental production studio blending traditional filmmaking with emerging AI tools.
We use new technologies to expand the way we imagine, design, and deliver cinematic, emotional stories.
I began my career on sets like Top of the Lake, Tracks, and HBO’s unfinished Lewis & Clark, assisting visionary filmmakers like Jane Campion, John Curran, and Gerard Lee, while learning from cinematographers I admire like Mandy Walker, Rob Hardy, and Adam Arkapaw.
But my love for story started long before that.
My father grew up in Australia, far from his family, a Vietnamese refugee, he carried the weight of loss and the gift of imagination. At night, he told us stories, of distant galaxies, forgotten lands, and strange, beautiful worlds that lived far beyond our own.
My mother, a Waldorf Steiner teacher, taught us through story, woven from myth, legend, and memory. She showed us that stories weren’t just things to learn, but ways to live, maps for meaning, tools for becoming.
I grew up wanting to tell stories that were visually powerful, meaningful, and full of surprise and wonder, just like the ones I was raised on.
That instinct still drives everything I do.
I create cinematic films, sometimes with a camera and sometimes with code.
My father grew up in Australia, far from his family, a Vietnamese refugee, he carried the weight of loss and the gift of imagination. At night, he told us stories, of distant galaxies, forgotten lands, and strange, beautiful worlds that lived far beyond our own.
My mother, a Waldorf Steiner teacher, taught us through story, woven from myth, legend, and memory. She showed us that stories weren’t just things to learn, but ways to live, maps for meaning, tools for becoming.
Preparation is my super power and alongside my cinematography work,
I direct and build visuals with VantageStudios.ai an experimental production studio blending traditional filmmaking with emerging AI tools.
We use new technologies to expand the way we imagine, design, and deliver cinematic, emotional stories.
If you got this far, Lets talk!
Send me an email or book an intro call.
Wether you have a job, a question, an idea or just want to say hi.
I'm here for it.
take the next step and get in touch.
Looking Forward - Erin Collett
If you got this far, Lets talk!
Send me an email
or book an intro call below.
Whether you have a job, a question, an idea or just want to say hi.
I'm here for it.
Take the next step and get in touch.
Looking Forward - Erin Collett
If you got this far, Lets talk!
Send me an email or book an intro call.
Wether you have a job, a question, an idea or just want to say hi.
I'm here for it.
take the next step and get in touch.
Looking Forward - Erin Collett
