Worked as Second Unit DP on the Australian TV series Eden, directed by John Curran, Mirrah Foulkes, and Peter Andrikidis, with Geoffrey Hall as lead cinematographer. The series revolves around the mysterious disappearance of a young woman in Byron Bay, which exposes dark secrets hidden beneath the town’s idyllic surface. Shooting second unit meant capturing visuals that matched Geoffrey’s style seamlessly—careful attention to lighting, framing, and overall mood was essential. The atmosphere of the show is both dreamy and unsettling, so it was rewarding to shoot imagery that contributed to this nuanced feel. Collaborating with such talented directors and crew in Byron Bay was an excellent experience and made the shoot creatively satisfying.

Shot this highly personal film with director Lou Robinson and Maddox Films. It was one of the most challenging films I’ve ever worked on—for lots of reasons—but also one of the most rewarding. Collaborating with Lou over many years on this project has given me huge respect and admiration for her, and the incredible crew she assembled. This film is a personal piece of art, and I can’t wait to see it all come together.

Shot this short film directed by Vijay Renga while training at Maine Media. It was a quick, fun project—just a 4–5 hour shoot with a small crew of fellow students. Not a big production, but a great way to practice fast setups, natural lighting, and simple storytelling.

Shot this short film directed by Spencer Grammer at the Museum of Science in Queens, produced by Jake Huebner and Tony Yang. This was a student project for Columbia University, with a tight but talented team. Great collaboration all around, and shooting in such a visually interesting location made the cinematography a challenge but fun.

Filmed this TV pilot with director Lou Robinson. Great experience working closely with Lou, finding the right visuals to set the tone for the series. We went with dynamic framing and moody lighting, aiming for a look that matched the gritty, comedic vibe of the show. Fun shoot all around.

Worked as 2nd Unit Cinematographer on this feature directed by Roger Spottiswoode, with Jared Robal as lead DP. My role involved a lot of run-and-gun style shooting with the A7SII on a Ronin rig, capturing visuals quickly and efficiently, often recording RAW to an external recorder. The goal was matching the main unit’s look closely, keeping the cinematography consistent and seamless. Fast-paced but a solid experience overall.

En Passant was the first serious short film I directed, beautifully shot by cinematographer Tania Lambert and produced by the amazing duo Renae Moore and Elise Anetts at Screen Innovate. Filmmaking is always challenging—especially when you’re trying to stay true to your vision—but this project was ndeeply personal from the start. I’m incredibly grateful to the whole team for helping me bring this story to life.

Directed this short film in Myanmar alongside cinematographer Bart Cortwright and my closest friend and writer/producer Russell Gong. We filmed in a remote village out on Inle Lake, working entirely with non-actors, thanks largely to our friend Misu, who was a key figure in the community and helped us find all the locals featured in the film. This was an intense shoot—writing scripts on the spot, translating constantly—but the experience was unforgettable. It took a ton of effort and determination, but it’s definitely something I’ll always cherish.

Shot this short film with director Erin Marz. The film follows Danny as he deals with his mother Barbara’s unsettling belief that his deceased father is still present. Visually, we leaned into moody, atmospheric lighting and tight, intimate framing to heighten the tension and capture Danny’s internal struggle. Great experience collaborating with Erin to visually explore themes of grief, fear, and uncertainty.

My Showreel, Enjoy!