®2024
®2024

Either Side of Midnight
Director:
My role:
ADditional
info:
Type:
Roger Spottiswoode
2nd unit Cinematography
Cinematographer: Jared Robal
Feature Film
Worked as 2nd Unit Cinematographer on this feature directed by Roger Spottiswoode, with Jared Robal as lead DP. My role involved a lot of run-and-gun style shooting with the A7SII on a Ronin rig, capturing visuals quickly and efficiently, often recording RAW to an external recorder. The goal was matching the main unit’s look closely, keeping the cinematography consistent and seamless. Fast-paced but a solid experience overall.

Either Side of Midnight
Director:
My role:
ADditional
info:
Type:
Roger Spottiswoode
2nd unit Cinematography
Cinematographer: Jared Robal
Feature Film
Worked as 2nd Unit Cinematographer on this feature directed by Roger Spottiswoode, with Jared Robal as lead DP. My role involved a lot of run-and-gun style shooting with the A7SII on a Ronin rig, capturing visuals quickly and efficiently, often recording RAW to an external recorder. The goal was matching the main unit’s look closely, keeping the cinematography consistent and seamless. Fast-paced but a solid experience overall.

Either Side of Midnight
Director:
My role:
ADditional
info:
Type:
Roger Spottiswoode
2nd unit Cinematography
Cinematographer: Jared Robal
Feature Film
Worked as 2nd Unit Cinematographer on this feature directed by Roger Spottiswoode, with Jared Robal as lead DP. My role involved a lot of run-and-gun style shooting with the A7SII on a Ronin rig, capturing visuals quickly and efficiently, often recording RAW to an external recorder. The goal was matching the main unit’s look closely, keeping the cinematography consistent and seamless. Fast-paced but a solid experience overall.