Filmed this project with director Ryder Haske and the team at Peoples TV. Not every day you get to make a commercial that directly helps raise money for a school in Africa—so this shoot felt extra meaningful. Ugandan people were incredibly kind, and capturing beautiful moments came naturally: kids singing, rural village life, traditional rituals. It was rewarding to see our work help raise funds and awareness for something important.

This shoot for Ernst & Young was a lot of fun, with Dave Schmidt directing. My approach focused on subtle, natural lighting and framing to authentically capture Brett’s story and convey a genuine sense of belonging. The camera work aimed for intimacy and warmth, reflecting EY’s values around community and inclusion.

We shot this one documentary-style, capturing real moments as they unfolded. It was summer, so plenty hot, but I loved the challenge of keeping things natural and authentic. The best part was letting the Dorseys’ story tell itself through genuine moments—definitely one to remember.

Another cool shoot with director Nicholas Bruckman for WhatsApp, filming at SriwijayaGrafika in Indonesia. Loved capturing the ironsmiths at work—welding sparks, textures, lots of visually interesting elements. WhatsApp again wanted clean, simple imagery, so it was a great exercise in restraint, focusing on straightforward, dynamic framing without overthinking it. Plus, shooting in the Indonesian heat definitely added to the vibe.

Filmed this project in India with director Nicholas Bruckman. WhatsApp MO for this series is specifically for basic cinematography, which is an interesting challenge for me as a DP. Instead of enhancing visuals, I focused on clean framing and straightforward camera work. Great experience, amazing local crew, and fascinating to see how businesses operate across the world.

Back in India again with director Nicholas Bruckman for WhatsApp. This shoot was fast, fun, and we even got some monsoon rain—which added extra excitement. WhatsApp always asks for simple cinematography, so I focused on clean frames and capturing genuine moments. Logistics and prep were complicated as usual, but the local crew made everything run smoothly. Always a great experience shooting in India.

Shot this one in Germany with director Nicholas Bruckman for WhatsApp. Loved filming there in the spring—beautiful scenery, and it was great following a product from farm to table. WhatsApp’s style is all about simplicity, so I kept the framing clean and still, moving fast without overcomplicating things. Always cool seeing projects like this come together naturally.

Had a great time shooting this project with director Dave Schmidt for Ernst & Young. We filmed around Union Square, Brooklyn, and the NYC subway—definitely a challenge with the cold winter weather, but it brought a real energy and authenticity to Kyle’s brave story. Always love the vibe NYC brings, especially on projects like this where the city itself adds so much character.

Special shoot this one. Seeing Jasmines family’s joy firsthand was pretty amazing—I love shoots like this, where everything just comes together in a crazy chaotic dance.

Shot this project with director Nicholas Bruckman for WhatsApp Indonesia. They wanted a really simple, clean aesthetic—no fancy lighting, nothing that felt overly produced. It was an interesting challenge because normally my job is all about making shots visually appealing or dynamic. So this became a great exercise in restraint, keeping everything minimal and authentic. Loved seeing it come together.

Back in Indonesia filming for WhatsApp. This shoot was about capturing a talented silversmith creating impressive pieces in his tiny store. WhatsApp asked for simple cinematography, so my approach was straightforward and clean. Great crew, wonderful people—working in Indonesia is always special for exactly those reasons.

It always great working on something meaningful—my goal was simple, as it normally is, capturing real moments with warmth and honesty and looking ahead to where the magic might be.

We had a great time filming this winter shoot in NYC for Ernst & Young, with Dave Schmidt directing. Our aim was simple: capture genuine moments that highlight belonging and unity. The shoot was alot of fun and a wonderful chance to showcase EY's commitment to diversity and community.